Vol. 13 (2023)

Articles

• Preface

  Guido Paduano

  • PDF (Italian)

• Introduction

  Caterina Mordeglia

  • PDF (Italian)

• Conscience in the theater. Presence and insufficiency of ratio in Seneca the poet (and philosopher)

  Giuseppe Gilberto Biondi

  • PDF (Italian)

• Did the Latin Middle Ages know the world of the tragic?

  Francesco Santi

  • PDF (Italian)

• Seneca Tragicus in the Latin Tragedies of the 12th and 13th Centuries?

  Caterina Mordeglia

  • PDF (Italian)

• Albertino Mussato, Senecan tragedies, and the poetic crown

  Rino Modonutti

  • PDF (Italian)

• Seneca’s Agamemnon in a bucolic guise: The humble style of the vernacular translation by Evangelista Fossa

  Arianna Capirossi

  • PDF (Italian)

• Seneca and the Elizabethans

  Masolino D'Amico

  • PDF (Italian)

• The horror debut: Giraldi Cinzio’s Orbecche (1541)

  Marzia Pieri

  • PDF (Italian)

• Seneca’s Thyestes: From Lodovico Dolce to the 21st century

  Federica Boero

  • PDF (Italian)

• Seneca and Alfieri

  Richard Tarrant

  • PDF

• Seneca’s voice in the Papinianus (1659) by Andreas Gryphius

  Mauro Nervi

  • PDF (Italian)

• The most famous and most unknown sentence by Seneca

  Guido Paduano

  • PDF (Italian)

• Gassman’s Thyestes, or the courage of excess

  Alessandro Tinterri

  • PDF (Italian)

• Seneca’s Thyestes: A re-writing by Caryl Churchill

  Monica Capuani

  • PDF (Italian)

• Seneca on the modern Spanish stage

  Carmen González-Vázquez

  • PDF (Spanish)