Albertino Mussato, Senecan tragedies, and the poetic crown
Abstract
The paper analyses the reception of Seneca’s works and biography in 13th- and 14th-century Padua, focusing especially on the role played by Lovato Lovati and Albertino Mussato. It argues that Mussato was pivotal in the reception of Seneca as a tragic poet. Both Mussato’s Senece vita et mores and Ecerinis emphasised Seneca’s worth as an author of tragedies, starting a new rise of the fortune of Seneca’s plays.
Copyrights are transferred for five years starting publication date from the author(s) to the Publisher. After this period, the content is released under a Creative Commons licence (Attribution-ShareAlike 4.0 International).