Articles

• Preface

  Guido Paduano

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• Introduction

  Caterina Mordeglia

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• Conscience in the theater. Presence and insufficiency of ratio in Seneca the poet (and philosopher)

  Giuseppe Gilberto Biondi

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• Did the Latin Middle Ages know the world of the tragic?

  Francesco Santi

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• Seneca Tragicus in the Latin Tragedies of the 12th and 13th Centuries?

  Caterina Mordeglia

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• Albertino Mussato, Senecan tragedies, and the poetic crown

  Rino Modonutti

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• Seneca’s Agamemnon in a bucolic guise: The humble style of the vernacular translation by Evangelista Fossa

  Arianna Capirossi

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• Seneca and the Elizabethans

  Masolino D'Amico

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• The horror debut: Giraldi Cinzio’s Orbecche (1541)

  Marzia Pieri

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• Seneca’s Thyestes: From Lodovico Dolce to the 21st century

  Federica Boero

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• Seneca and Alfieri

  Richard Tarrant

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• Seneca’s voice in the Papinianus (1659) by Andreas Gryphius

  Mauro Nervi

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• The most famous and most unknown sentence by Seneca

  Guido Paduano

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• Gassman’s Thyestes, or the courage of excess

  Alessandro Tinterri

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• Seneca’s Thyestes: A re-writing by Caryl Churchill

  Monica Capuani

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• Seneca on the modern Spanish stage

  Carmen González-Vázquez

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